Southern Rhodesia Philately: 1964 Definitive Series – 1d Buffalo

Details Subject: Buffalo Designer: Victor Whitely Printer: Harrison & Sons Ltd, London Process: Photogravure Paper: White paper Watermark: None Perf: 14.5 (comb) Cylinders: 1A (Violet), 1A (Bistre) Sheet: R20 x 12 Quantity: 51,000,000 (ordered) 24,500,640 (sold) Cylinder Numbers Sheet Numbers Maximum Card (Unofficial) References Rhodesian Study Circle: Memoir 38 The Encyclopaedia of Rhodesian and Zimbabwean Postage Stamps Since…

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Southern Rhodesia Philately: 1964 Definitive Series

Details Date of Issue: 19 February 1964 (Notice No 2 or 1964) Reprints: 1965 (2d, 4d, 6d, 9d, 1s, 1/3d, 2/6d) Date Withdrawn: 10 November 1966 (Notice No 2 of 1966) Date Invalidated: 1 December 1969 Designer: Victor Whitely Printer: Harrison & Sons Ltd, London Process: Photogravure Paper: White paper Watermark: None Perf: Comb 14.5…

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Southern Rhodesia Philately: 1964 Definitive Series – £1 Coat of Arms

“Another four-colour stamp, the second in the series, and its source was an official coloured plate of the Arms. Here the small format necessitated some thickening of parts of the design and the overall outline for reproduction in stamp size. The vignette technique has enabled two of the four colours…

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Southern Rhodesia Philately: 1964 Definitive Series – 1/3d Aloe

Kodachrome transparencies and a coloured picture from a tourist brochure, Aloes and Cycads, provided a guide to this formalized interpretation of the extraordinary Aloe excelsa, which in some districts grows tree-like to a height of 20 feet, but usually to 10 or 12 feet. The brown-red “pinnacles”, not unlike the…

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Southern Rhodesia Philately: 1964 Definitive Series – 1/- Emeralds

“Out of Africa, always something new” is an axiom attributed to the Romans. The discovery of emeralds by two prospectors, Contat and Oosthuizen, in the Belingwe area of Southern Rhodesia certainly attracted worldwide interest. The main source of the design was a coloured magazine picture of rock ore in its…

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Southern Rhodesia Philately: 1964 Definitive Series – 9d Ansellia Orchid

Again, the original artwork was executed in two colours, with a third colour added by request as for the 6d. As it transpired the extra expense was fully justified for the third colour—the green “leaf motif” background—improved the design enormously. The source was a Kodachrome transparency depicting the plant without…

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